Download Much Ado About Nothing (2010 edition): Oxford School Shakespeare (Oxford School Shakespeare Series)
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Much Ado About Nothing (2010 edition): Oxford School Shakespeare (Oxford School Shakespeare Series)
Download Much Ado About Nothing (2010 edition): Oxford School Shakespeare (Oxford School Shakespeare Series)
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About the Author
William Shakespeare (1564-1616) was an English poet and playwright widely regarded as the greatest writer of the English language, as well as one of the greatest in Western literature, and the world's pre-eminent dramatist.
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Product details
Series: Oxford School Shakespeare Series
Paperback: 160 pages
Publisher: Oxford University Press; Reprint edition (February 8, 2010)
Language: English
ISBN-10: 9780198328728
ISBN-13: 978-0192755513
ASIN: 0198328729
Product Dimensions:
8.4 x 0.4 x 6.5 inches
Shipping Weight: 9.9 ounces (View shipping rates and policies)
Average Customer Review:
4.3 out of 5 stars
390 customer reviews
Amazon Best Sellers Rank:
#345,086 in Books (See Top 100 in Books)
what a huge help with interpretation. My kid attends a fine arts school and we're working on monologues for Auditions. It's so important to know what was really happening before and after the specific verse to really play it out. The sidebar interpretation helps so much with this aspect. Highly recommend to anyone studying Shakespeare
This is a Shakespearean Comedy of Manners from before the genre was even really a fully developed thing, featuring love affairs, a revenge plot, some humorous incompetence, a faked death, and much more. I'm not a big comedy fan, but this is certainly a good example of the genre at the time from which it came, and I actually quite enjoyed it. When it comes to the works of Shakespeare as a whole, I would say that this is a less memorable example, but definitely has some positives going for it as well. For one, it's far less well-known than many of his more famous works, so it doesn't feel familiar as you read it. The characters and plot also tend to grow on you, even as the language isn't quite so memorable, and the plotting and mistaken identities aspects are always good plot points, whether you're speaking of today or centuries ago. As to the edition itself, I found it to be greatly helpful in understanding the action in the play. It has a layout which places each page of the play opposite a page of notes, definitions, explanations, and other things needed to understand that page more thoroughly. While I didn't always need it, I was certainly glad to have it whenever I ran into a turn of language that was unfamiliar, and I definitely appreciated the scene-by-scene summaries. Really, if you want to or need to read Shakespeare, an edition such as this is really the way to go, especially until you get more accustomed to it.
Left and right format is great, better than parsing footnotes, but find another version. Whoever was hired to "translate" from Elizabethan English for these likely doesn't know the Virgin Queen from Elizabeth Bennet. The right page modern language translation usually adds nothing, in many cases is an exact copy, but in a significant number of instances completely misses the meaning of the words and/or line. I suspect that the publisher hired an English major from a minor college, paid them peanuts, and got what they paid for: a lazy, careless translation. In Modern English, "these suck".
The Arden (individual) Shakespeares are the most comprehensive texts available for public consumption. The introduction gives a history of the performance of the play (with photos), the sources used, describes differences between the versions (quarto vs folio), and so much more. My favorite part is that each page has explanations/translations for unfamiliar and archaic terms in the play (I.e. you don’t have to go to the back of the book for an explanation of what “zounds†means). That said, this isn’t my favorite play by Shakespeare, but that is not the book’s fault... I like measure for measure better.
it helps tremendously having notes and context side by aide to the text. there's also a lengthy introduction about the story, language and Bard himself.If you're a beginner you will still have to put a lot of effort in, and you will likely need other resources as well, but this is an excellent starting text
This is a comment about my (purchased) paperback copy of The New Cambridge Shakespeare's "Much Ado About Nothing." On the last page it says "Made in the U.S.A, Lexington, KY, 18 April 2018." The Amazon warehouse that usually ships my orders is in Lexington. Did this warehouse actually print this book to order (it arrived April 20), under permission from the Cambridge University Press? I wonder because the printing of the text does not appear to be of the highest quality, as if the press or the printer was low on ink. The pages are not numbered. The still images printed in the introduction are grainy, as if they have been blown up too large.If you are interested in this particular NCS edition, I don't recommend buying it here (at least not for the price I paid, $11.95). It simply has the look of a facsimile.
I'm the parent of a 12 year old girl, and we watched the Kenneth Branagh version of Much Ado, and since my daughter is particularly fond of the Korean form of Manga (called Manwah, I think), we got several Manga versions of Shakespeare's plays. They use Shakespeare's language (not all of it), and are a good "gateway" to reading the plays themselves. The visual style is dramatic and impassioned, which fits well with the emotions for teens. The images remind me of "story board" images used to plan the visual shots for a movie -- therefore, I would say that the images add to the intelligence and thought put into the reading of the play.
There are few films as joyous as Much Ado About Nothing. Much of this joy comes from the beautiful visual shooting of this film and the Italian Villa and estate where the entire story was shot on location. Follow the process with the director himself, by reading his book and you will enriched by the tender loving care that went into creating this masterpiece.
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